Euthanasia Essay The Hemlock Society and Assisted Suicide

Hemlock Society, Euthanasia and Assisted Suicide nbsp; Dori Zook, Hemlock Society public relations director, claims that Hemlock supports legalization of physician- assisted death only in cases of terminal illness. And Hemlocks website asserts that the Society favors physician-assisted suicide strictly for someone who is already in the dying process. But there is a glaring discrepancy between this official stance and what prominent members of Hemlock have said and done. nbsp; For example, there is this little gem from Hemlock co-founder Derek Humphrys book, Final Exit: What can those of us who sympathize with a justified suicide by a handicapped person do to help? When we have statutes on the books permitting lawful†¦show more content†¦Riverside County, 14. A wheelchair is not a life-prolonging machine, nor will Bouvias cerebral palsy ever require her to use such machines. Advocates of assisted suicide prejudicially twist the facts of disability to make their case. nbsp; Bouvia had been through a series of devastating ordeals in the two years preceding her request for help in ending her life: The graduate program in social work at San Diego State University violated her federally protected civil rights. Bouvia dropped out of school, and the state Dept. of Rehabilitation repossessed her wheelchair-lift-equipped van. (Instead of urging her to fight this discrimination, Richard Scott declared publicly: Quadriplegics cannot work.) nbsp; Meanwhile, she married and kept her marriage secret from social- welfare authorities in order not to run afoul of the marriage disincentives that would have cost her her essential financial aid. She got pregnant, had a miscarriage, separated from her husband, decided to divorce him, and learned that her brother had drowned and that her mother had cancer. At this point, Bouvia checked herself into the psychiatric unit of Riverside County Hospital and said she wanted help to die. nbsp; Scott brought in a doctor, a psychiatrist, and an educational psychologist to evaluate Bouvia.Show MoreRelated Euthanasia Essay - Assisted Suicide and the Supreme Court1540 Words   |  7 PagesAssisted Suicide and the Supreme Court      Ã‚   After the nations highest court declared that U.S. citizens are not constitutionally guaranteed the right to a physician-assisted suicide, the movement has sort of lost its steam. Why do the Supreme Court Justices consider legalization dangerous? How did it win legislative approval in Oregon in the first place? What is the current trend in public opinion about this question? This essay will delve into these questions. After the U.S. Supreme CourtRead MoreEssay on Euthanasia: Not Just for the Terminally Ill1397 Words   |  6 PagesEuthanasia: Not Just for the Terminally Ill      Ã‚   Euthanasia or assisted suicide would not only be available to people who are terminally ill. This popular misconception is what this essay seeks to correct. There is considerable confusion on this point, perhaps further complicated by statements in the media.    There are two problems here - the definition of terminal and the changes that have already taken place to extend euthanasia or assisted suicide to those who arent terminallyRead MoreArguments Against Legalized Euthanasia Essay example1143 Words   |  5 Pages The way a person goes through the process of dying and accepts death is closely related to the way the persons society and culture view the process. A persons family, cultural values, social and medical institutions are all factors that form part of the context in which individuals die (Dickinson and Leming 13). In past years, death was an accepted and natural part of life. Unlike today, death was common to occur at home with family and friends present. Advances in health, medicine andRead MorePros and Cons on Assisted Suicide - Essay1221 Words   |  5 PagesKeri Starkel Pros and cons on assisted suicide Pages 5 What happens to a person when they get so depressed that they are on the verge of suicide? Well the only answer would be to commit it but what if that person cant find the guts to go through it alone. Well then they ask for assistance. This is called assisted suicide. Assisted suicide or in other words euthanasia is the killing by an act of an independent human being for their own benefit. There are many kinds of definitions that one mustRead MoreEssay about Euthanasia Should be Allowed1214 Words   |  5 Pagesare on the verge of suicide? Well the only answer would be to commit it. But what if that person cant find the guts to go through it alone. Well then they ask for assistance. This is called assisted suicide. Assisted suicide or in other words euthanasia is the killing by an act of an independent human being for their own benefit. There are many kinds of definitions that one must argue the fact of, what is euthanasia. Well you would have to keep reading farther on. Euthanasia can either be voluntaryRead More Doctor-Assisted Suicide Should be Legalized Essay3204 Words   |  13 Pagesimportant: euthanasia is not forbidden by law in their case; animals have the right to a merciful death.† ― Milan Kundera, The Unbearable Lightness of Being One of the most controversial topics that is being debated today, both morally and legally, is assisted suicide, sometimes known as active euthanasia. Assisted suicide is the act of directly intervening in order to end the life of a terminally ill patient (i.e. administering a large amount of sleeping pills). The word euthanasia, comesRead MoreThe Right Of Die Is A Pro Choice Issue1902 Words   |  8 Pagesher husband decide to move to Oregon. Under the Oregon Death with Dignity Act on November 1, 2014, in the company of friends and family Britany Maynard ended her own life. Before her death Maynard, explained in a video her reasons for choosing assisted suicide, the video has over 11 and half million views. Like Britany, most people over the course of their lives have thought about death, about the how, the when, and the where of it. Maybe they have even gone so far as to think about who shouldRead MoreEuthanasia Is The Most Active1548 Words   |  7 Pages Euthanasia is the practice of intentionally ending a life in order to relieve pain and suffering. There are different euthanasia laws in each country. The British House of Lords Select Committee on Medical Ethics defines euthanasia as a deliberate intervention undertaken with the express intention of ending a life, to relieve intractable suffering. In the Netherlands and Flanders, euthanasia is understood as termination of life by a doctor at the request of a patient. Euthanasia is categorizedRead MoreEuthanasia And Physician Assisted Suicide - Good, Bad, Right, Or Wrong?1860 Words   |  8 Pages Euthanasia Physician Assisted Suicide – Good, Bad, Right, or Wrong? November 17, 2014 Jennifer Mullen South University Online Euthanasia is a term derived from a Greek word meaning happy or fortunate in death. It is most commonly used now to denote the merciful infliction of death [either actively or passively] to avoid torment in fatal and incurable disease, usually by consent of the patient or his family. Tribal Customs: There are accounts of tribes, ancient and moreRead More When is Suicide Morally Permissible or Morally Required? Essay2505 Words   |  11 Pages For the purposes of this essay the assumption will be that there is no after life or god. Eliminating the concept of god in a sense dissolves the issue of sinfulness and blameworthiness. Therefore a relativist stance will be adopted and the absolutist stance rejected. The issue of cowardice also should be addressed as arguably a soldier going to certain death is not a coward and few people would be able to harm him/herself. The taking of life can be considered under three categories, as an exercise

Darwinism in Great Expectations by Charles Dickens Essay...

Few people argue that Great Expectations, one of Dickens’s later novels, is a Darwinian work. Goldie Morgentaler, in her essay â€Å"Meditating on the Low: A Darwinian Reading of Great Expectations,† is one of those few. She argues primarily that Darwin’s Origin of the Species was a major topic of discussion in Dickens’s circle at the time he wrote Great Expectations, and that Great Expectations â€Å"marks the first time that Dickens jettisons heredity as a determining factor in the formation of the self† (Morgentaler, 708). This fascinating insight draws one to read more of Morgentaler’s essay. It does not, however, compel the reader to admit that Dickens became Darwinian. Morgentaler’s main argument, though useful, could point just as†¦show more content†¦Although she says that, â€Å"hereditary transmission is the sine qua non of evolutionary theory† and, in other writers of the late nineteenth century, this â €Å"intensif[ied] interest in heredity as a literary theme† (709), she concludes that Darwin’s influence on Dickens was to let him â€Å"shake off his earlier adherence to heredity as a way of explaining personality† (709). In other words, Darwin’s impact on Dickens was to make Dickens reject Darwin’s major point. This implies that Dickens was, in reality, an anti-Darwinian, someone who saw that Darwinian thought was dangerous, and who therefore, in reaction, tried to remove elements from his own worldview that led to the same evolutionary conclusions as Darwin proposed. He was as Darwinian as someone who reads Kant and rejects the idea of mental categories is Kantian. To show how this is true, it is necessary to demonstrate how Dickens’s rejection of hereditary influence in Great Expectations creates a novel that is actually quite opposed to evolutionary theories. Morgentaler’s own observations provide the material for this demonstration. While earlier books by Dickens had insisted â€Å"on the essential godliness of the goodhearted . . . amenable to hereditary transmission from one generation to the next,† here, â€Å"the emphasis on the ideal has given way to a demonstration of the omnipresence of the base† (715). This theme of guilt, lowness, and criminality is truly one of the central traitsShow MoreRelatedVictorian Novel9605 Words   |  39 Pagesdates frame the period of Victorian literature, it is commonly accepted that it was the reign of Queen Victoria (1837-1901) that saw the novel emerge and flourish, all the more that the 1937 was the year when Dickens’ Oliver Twist, the first major work of fictio n. The first readers of both, Dickens and Eliot were not conscious they lived in the ‘Victorian period’. They thought that this was a modern era marked with turbulent transition. However, the most crucial writers of the period grew up in the earlierRead MoreThe Colonial Implications in Jane Eyre and Great Expectations3008 Words   |  13 Pagesthese claims of Spivak be applied to Charles Dickens Great Expectations and Charlotte Brontes Jane Eyre and to what extent do these novelists draw from the colonial discourse in their representation of the `non- Western world? The Victorian novel has performed an important service in Eurocentric epistemologies and colonial ideologies in formulating the colonial discourse and establishing the alterity of `self and the `Other. Both Great Expectations and Jane Eyre, like most novels producedRead MoreIndustrial Revolution in Victorian England3817 Words   |  16 Pagesfrom 32 years to 39 years, an increase of a little over 20 percent† (Brown 36). The growth in population required innovations that would provide for a new generation of people. One reason that the population spiked so sharply was because of the Great Potato Famine in Ireland. During this time, the main food that the Irish relied on, potatoes, became diseased and many people starved to death. Because of this, many Irish settlers immigrated to England. New â€Å"manufactories† (Outman 7) were neededRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesPerformance Appraisal Around the World 558 An Ethical Choice Recruiting the Unemployed 561 Self-Assessment Library How Good Am I at Giving Performance Feedback? 563 Myth or Science? â€Å"Work Is Making Us Fat† 564 Point/Counterpoint Social Media Is a Great Source of New Hires 567 Questions for Review 568 Experiential Exercise Evaluating Performance and Providing Feedback 568 Ethical Dilemma Credit Checking 568 Case Incident 1 The End of the Performance Appraisal? 569 Case Incident 2 Job Candidates Without

Can One Form of Music Be More Authentic Than Another free essay sample

There are many different forms of music all of which have individual styles and characteristics. These forms and styles are generally categorized, by the media, music Industry and audiences, Into musical genres. These genres are more or less determined by such factors as geographical location, for example Nashville and Country Western; time period, for example SASS and Rockabilly; social relevance, for example sasss and Punk; and of course the variables of musical form itself including instrumentation, technique and particularly the distinctions made betweenArt, Pop and Traditional music. The emergence of new genres, or sub-genres, can in truth occur from an almost infinite number of variable distinctions. In his essay Genres, Submerges, Sub-submerges and More Chamber Mcleod argues that in electronic music the naming of new submerges can be linked to a variety of influences, such as the rapidly evolving nature of the music, accelerated consumer culture, and the synergy created by record company marketing strategies and music magazine hype. The appropriation of the music of minorities by straight, middle and upper-middle-class whites in the United States and Great Britain plays a part, and he rapid and ongoing naming process within electronic/dance music subcultures acts as a gate-keeping mechanism, as well. (Shepherd, 2003) This would suggest that the orally, dimension and Indeed authenticity of a music genre Is determined by many variables and these factors contribute to the over lapping and constant fluctuation of musical styles and forms..In this essay I will be discussing whether or not one form, or indeed genre, of music can be more authentic than another. But what do I mean by authenticity? The word Itself comes from the Latin authentic, meaning from the author, and the Brothels helicopter, J. L. Austin called this word, along with Its near relations, real, ;genuine and true, a ;dimension word. He goes on to explain that this is a term whose meaning remains uncertain until we know what dimension of its referent is being talked about.A forged painting, for example, will not be inauthentic in every respect: a Han van Mongered forgery of a Vermeer is at one and the same time both a fake Vermeer and an authentic van Mongered, Just as a counterfeit bill may be both a fraudulent token of legal tender but at the same time a genuine piece of paper. 0. L. Austin, 2003) It is clear that what. L. Austin means is that the meaning of the word authenticity can only be interpreted by its context.So how does this relate to music and its many forms? While referring to the classical genre, Dennis Dutton** suggests in his essay Authenticity In Art that With a painting there normally exists an original, nominally authentic object that can be identified as the original; nothing corresponds to this In music. Even a composers own performance of an Instrumental Rite of Spring -? cannot fully constrain the interpretive choices of other performers or define for ever the authentic performance. Dutton, 2003) It is clear from this that Dutton believes that defining authenticity in music, particularly in the classical art form, is an almost impossible task in the context of performance interpretation. One can normally identify the author of the score, but even the author themselves can never truly represent or define authentic performance. This notion of determining the original however, is o nly one context of authenticity ideology upheld within music.According to John Shepherd* in his book The Continuum Encyclopedia of Popular Music of the World, in popular and traditional music, the notion of authenticity has generally been positioned around ideas related to historical continuity, artistic expression and sincerity, autonomy from commercial imperatives, technology and production, the expression of and the engagement with cultures of certain audiences as well as communities and localities. (Shepherd, 2003) Coyly and Dolan (1999) also argue that authenticity is a socially constructed tool in the marketing of Popular music: Authenticity is a sign and not a quality, and like any sign it functions differentially and deferentially. In the world of commerce authenticity is simply a matter of trademark. Both these theories express views based within semiotics.Both theories suggest that artists, and the industry that markets them, use signs and symbols to connote impressions of authenticity. If we relate what Coyly and Dolan suggest to music specifically, you could argue that authenticity is in fact, ironically, a fabricated ideology of a commercial process. In 1965 the American Folk music revival was in full swing in North America and Bob Dylan was the leader of the pack.Hailed by critics and fans alike as the spokesperson for a generation, Dylan articulated songs with which the anti-establishment, mainly nouns and liberal, could identify, while at the same time connecting w ith the more traditionalist folk audiences through the ideological aesthetics of the genre such as authentic artistic expression, lyrical prowess over musical technique and valuing art over commerce. The latter is ironic due to his already established status as a hugely commercial musician involved heavily within the popular music industry.Many theorists, such as Stratton believe, Just as Coyly and Dolan suggested, that the creative process has often been mystified by the artist and the music industry to conceal the rational workings of capitalism. Therefore, despite the personae of popular musicians as free artists, there are many rules and formulations they must adhere to in order to be commercially viable within the capitalist system of the music industry. For a start, pressure on Dylan would be to make money for the record label he was signed to.It was fortunate for the company that Dylan tapped into the zeitgeist of the period. Dylan himself exposed this notion when in 1965 at the Newport Folk Festival, he took to the stage not as a solo artist with an acoustic guitar, as the dominant perception of a traditional folk musician dictates, but with a full electric band as well, more akin to the popular English rock and pop bands of the time such as The Beetles and the Rolling Stones.Many of the members of the crowd started to boo Dylan and his band and, in probably the most famous heckle of all time, someone even shouted Judas, suggesting that Dylan had betrayed his fans traditionalist folk audience. No one knows exactly who or why members of the crowd decided to boo Dylan, but it has been suggested that it was because the traditionalist folk element in the crowd, of which there were many, it being a specifically folk activates, believed that Dylan going electric was a sign of him pandering to the record industry and exposed his eagerness for commercial success over artistic authenticity.This notion of pandering to capitalism is commonly known as selling out and consequently their oppositional reading. John Shepherd noted in his book, The Continuum Encyclopedia of Popular Music of the World, that Such formulations of selling out tend to be modeled on popularization involving art and commerce, independent and corporate, underground and mainstream, or on particular artists losing touch with their audience by changing style or acceding to commercial production techniques. Of course there are many different ideological expectations regarding authenticity, and it is clear from Dylan success that many had a dominant reading of his music, which appealed to a wider audience familiar with, and eager to invest in, electronic and rock genres. During the late sass, and throughout the sass, the Rock and Pop music genres, along with their new sub-genres, including Progressive Rock, Punk, Soul and Disco, became ideologically distinct, particularly where authenticity was concerned.The ideology of authenticity within the folk genre, including themes of art over commerce and authentic artist expression, were, and still are, apparent within the commercial and social understanding of Rock music. Audiences perceived, and artists and the music industry portrayed, Rock musicians as the more authentic form of popular and traditional music, as opposed to pop music, which was generally understood as mere entertainment by critics and audiences. This is due to the fact that Rock music is thought to have its roots in traditional musical genres such as Folk, Blues andCountry, drawing from its musical styles and techniques, whilst also sharing their ideologies and aesthetics, particularly the notion that the music should articulate and represent the feelings and concerns of its core audience, or indeed demographic. This in turn meant that Rock music, along with many of its sub-genres, will always have to adhere to the expectations placed on it by the audience in terms of authenticity, or risk losing that audience by being deemed to sell out. There are of course many forms of Rock and Pop music, each of them with their own notions and contexts of authenticity to uphold. For instance, the submerge Progressive Rock has its roots, not in Folk or Blues, but in elitist art forms of music such as Classical and Jazz music, and although the genre shares the same stages and media outlets as other forms of popular music, especially Rock music, it is generally read and understood as being a form of art music that transcends both Popular and Traditional music in terms of technical ability and musicianship.Because of this, Progressive Rock bands, such as Pink Floyd and Rush, do not have to adhere to the ideology of authenticity that many other genres would have to, and can trade on a rand scale without the need to fear being exposed as part of a capitalist process. Around the same time, Mouton records was producing and releasing an incredibly The initial perception of this music was that it was Just pop music, created for entertainment purposes only.It was perceived to have very little artistic merit, and although critics and audiences alike understood and accepted the ability of the musicians and songwriters involved, the performers themselves, and the songs they sang and endorsed were not deemed authentic in the traditional context of Pop and Rock music ideology. They didnt often, and in some cases ever, write their own songs, immediately connoting an impression of a factory like, capitalist attitude towards producing music. However, recently, the record label, and indeed the Soul and Funk genres it championed, have been critically acclaimed for providing a platform and voice for black performers who were marginals by the predominantly white, male dominated record industry.It has also been noted that Mouton appealed, not Just to black performers and a black audience, but to a young, intellectual white audience who approached the music with a negotiated reading, recognizing the racist attitudes awards black performers and developing an appreciation of their music as a move towards empowerment, not Just in terms of determining what music they chose to produce and control but also of the black movement as a whole.The factory like attitude towards producing music has even, in a strange U-turn of ideology, been critically acclaimed for its efficie nt and prolific output. Midtowns music has always been widely appreciated and commercially successful, but only recently has it been regarded in the mainstream with the same context of authenticity that defines most Rock, Folk, Art and Traditional music. It certainly is difficult to define whether or not one form of music can be more authentic than another.Due to the intrinsic dimensional quality of the word itself, and the many different contexts in which it is appropriated and interpreted by different audiences, creators and theorists, it would appear that there is never going to be one defining example or interpretation of an authentic form of music. In the process of writing this essay I have come to agree with J. L. Austin, when he wrote that authentic is a term whose meaning remains uncertain until we know what dimension of its referent is being talked about.

Pastoral Ministry Essay Example

Pastoral Ministry Essay Your story does not need to be the same as everyone else, it will be mysterious Clarity of calling often needs to come through community 2/4/15 Do you think youre call will ever get fuzzy? It will. Revisiting your calling is important and necessary Vocational calling All Christians are called to service Big issues in ministry- helping others discern their call, hopefully discerning before in college Pastors have a unique call William Temple and his 3 fold call Called to Christ Called to the People of God Called to Service/Mission Breadth of calling (you want people to discover the fullness of their calling) To work (vocation) To marriage (or singleness) To family To community (Church) To service Common Good Call to Pastoral ministry It is like the calls to other ministries Different realm in the church Churches are different creatures than other humanitarian/non-profit organizations Different rhythms (weekends evenings) Work on day no one works, work stuff at nights Call into ministry Inner sense Of Call from God (Pieties) External call sending people of God (home congregation) receiving people of God (we want you! Two stage call 1st call called to preparation (seminary) 2nd call called to pastoral ministry called to missions (cross-cultural) allied to non-congregational ministry sometimes there is a call to a specific pastoral identity preacher/teacher pastoral care pastoral counseling childrens ministry youth ministry administration missions evangelism ministry tensions generalist or specialist pastor or entrepreneur interim or semi-permanent career or vocation denominations world Christianity vs. loca l expression 2/6/15 ministry in different contexts national institutional example: local pastor that is a part of a national organization and receives the image of what that organization is experiencing national contextual example: being a pastor in 2015 is different that in 1886. The two worlds are very different local institution each individual church has a history that you need to learn and study. What are the tensions in the church, what are the successes, how has God moved in the past local contextual church lifestyle movements cant keep their momentum forever and at some point they need to establish order/institutionalize. We will write a custom essay sample on Pastoral Ministry specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Pastoral Ministry specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Pastoral Ministry specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The organization/movement becomes a monument, which is solid/lifeless agents that will kill churches adultery (10 years to get back to normal) bad preaching bad people churches in denominations will have records on file to help display what stage f life the church is in independent churches will have reports, you want to look over 10 law-grace spectrum competing values, we affirm that there is grace but theres also a place for law seen in the first 10 minutes heavy in law- youll leave feeling burdened heavy in grace- leave feeling good about love but discouraged looking around at the people how does the church deal with divorce? Non-reconciliation habits hard-living people are people who are still rough around the edges welcome in the church? Questions like Who would not feel welcome here and why? Church government Hierarchal One leader who makes decisions for all Example: Roman Catholic Church Congregational Every decision is ran through the congregation Representative Body of elders who make decisions together When interviewing for a church position, ask How are decisions in this church made? What were the last 5 and how was it? How well does the church allow for outliers? Denominational? Baptist Presbyterian Pentecostal Anglican Congregation Non-denominational Disadvantages to being here because there are less people you can be connected with, more difficult to get that first job 3 church paradigms Christendom Congregations Parish-based, denominationally loyal Attraction church Competition, best programs Full service, 24/7 Example: Burger King have tryout way Hardest church to pastor, consumerist animal that is never satisfied Mission church Recognize the need to be a missionary outpost to reach people for Christ since no one was coming to church 2/11/15 notes in journal 2/1 3/15 sometimes a church does not want a strong leader because they want someone that they can domesticate, or make into whatever they want them to be if they give you responsibility but no authority, then say no you always want to hear about the relationship with the previous pastor snoop around aka a search committee member youre getting closer to for a drive and ask about the skeletons if the previous pastor broke the churches trust, itll take S to rebuild 10 if they committed adultery or embezzled impression without expression will lead to depression case study reflection when coming into a church with trust for the pastor, it is easy to do things quickly in this si tuation, there is limited power available to the 29 year old pastor. If the pastor were to try and call a meeting to kick her out ,they would themselves probably be voted out always think about what you are leaving or the pastor after you what is the mission of the church long term solution lead deacon training for about a year to help them understand the role slowly lead that group off until a new deacon group is ready to come on work around and isolate the virus build healthy situations because they will help the sick systems lead bible studies in your house be with the people Worship issues (continued) Helpful websites COLI Song Select Hymnal. Org Worcestershire. Org Systemic. Com Leading worship Preparation of heart Heart needs to be ready on Sunday morning Cant stay up late on Saturday nights. They are a runway to Sunday morning ND need to be taken seriously Careful planning Be 6 months out preaching 1 month out of planning for worship Practice readings Thoughtful prayers Transitions Help the whole thing have a seamless whole Who are you leading? Regular people who dont know some of the things you know, they are not seminarians Churches are on 4 way axiss Where do you plant the church? Horizontal-vertical axis Community -? congregation Formal informal axis Contextually Is your service open to outsiders or structure so that only people who are familiar with church will be comfortable? Unstated narrative in worship Theres a story going on in your worship, what is your story? In every way you design worship, youre teaching your congregation something 2/25/15 worship as a performance audience is God actors are the congregation the worship leader or pastor is the stage director sacraments placement in the service naturally a response to the Word youre hearing Gods word through the sermon and then through the sacrament youre touching it Eucharist- a good touch issues of children and families example of best friends baptizing each other free worship usually does earlier spontaneity?